Ah yes, we got UwU, ADHD, #metoo, Cope, and... ahfu-
HO HO HOPE you become a Newgrounds Supporter this year!
We're working hard to give you the best site possible, but we have bills to pay and community support is vital to keep things going and growing. Thank you for considering!
My fan interpretations of Lion King characters that never appeared in the film itself but still had ties to it somehow.
Uru (Simba's paternal grandmother, mentioned in The Lion King Six New Adventures - A Tale Of Two Brothers)
A queen that truly stood out from her pride sisters, mainly because of her white coat and slender structure. The scar she gained on the side of her head from a heavy blow, which cost her the memory of her origins, would symbolize her new life as the star that has fallen down to the Pride Lands floor.
Ahadi (Simba's paternal grandfather, appears in The Lion King Six New Adventures - A Tale Of Two Brothers)
A fair and just king, with a bit of a temper. Also a good dad that loved both sons equally. Nothing like the brute that would beat up his least favourite child who would turn out to be the embodiment of the german man with the stache no matter what.
Mheetu (Nala's little brother, a character cut from the movie)
The product of lesbian drama that instantly settled down when a bigger issue was draining the kingdom. Left the Pride Lands to start his own pride when he came of age, especially to find his unclean father.
Kopa (Simba & Nala's son, appeared in the whole Lion King Six New Adventures book series)
He died for the 8-year old's sins because they ruined his character. Not like he had one to begin with. Also green eyes to give a little more justice to his mom who just keeps expulsing Simba clones.
Afua (Kopa's best friend, mentioned in The Lion King Six New Adventures - A Snake In The Grass)
He's a brat. That's all you need to know.
That's about it. See ya.
Ah yes, we got UwU, ADHD, #metoo, Cope, and... ahfu-
They all look so cool! Uru's definitely my favorite of the bunch. <3
Yeah, I really love her design so much. <3
You are free to copy, distribute and transmit this work under the following conditions: