I like the ideas in this. There are some riffs which are very nice too - particularly the saw in the second passage
It's possible you're trying to produce something unique, and it's negating the effectiveness of the track. For instance, you have a bass stab which fades in and out. I think you'd benefit more from losing that automation and having it static. The double kick muddies the mix, and you would probably find the track is more defined by having a simple 4/4 style. Where your kick lands on the bassline on it's second hit, it's usually a cardinal sin.