this is a good version. don't worry too much about the little things everyone else does. sidechain compression is highly overused and not necessary for most pieces of music. only make musical decisions because they make sense for what you intend to build; not because other people do them. i like how potent the piano and siren feel in this version. the unenveloped bass is tasty.

I like the emotional appeal of the piano at the beginning, and the rest of the sound design is really good too, between the vocals, strings, and thunderstorm sound effects. The harmonic framework is a bit cliche, and the structure certainly could’ve been a tad more fleshed out. I also think the drums could’ve used a bit of a boost in the mix, especially the snare. The progression and atmosphere are nice, though - at some point, a soaring string melody or haunting, minimal bridge could absolutely tie this piece together well. I’d encourage you to keep working on it, although I definitely like what I’m hearing so far. Keep at it, Sashik! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8/10

A lot of great ideas here, and that vocal sounds great

I can sort of hear the unfinishedness in that beyond the vocal, the mix sounds a bit flat -- in the sense kick and snare are not at the front of the mix, there appears to be no side chain or synths on the side beyond the keys with which we initially began.

However, it is not by any means bad at all, and is worth listening to, for sure! I think you should revisit this piece and update at a later date. I really like it! The minor touch at the end was a nice move as well which I feel added new depth to the rest of the track.

Some things you can do to tentatively add a "finished" sound is to implement subtle crashes and reverse crashes, and the occasional percussion, rhythmic textures, etc. That will do a lot for that finished sound, even if it only takes half an hour to figure out where to put all of them. Crashes is the big thing, as I noticed the lack of them upon further listening. They add a sense of going places, and no one knows why, but they work.

Tbh I'm giving you the cheatcodes I use when I myself can't figure out how to finish a song, hehehe