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Stones River

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00:00 / 03:09

Author Comments

First off, sorry for disappearing. Except I didn't really; I uploaded the FTG songs on the albin account, made like 4 pieces you will probably never hear here, and kept everyone updated. But I did disappear in terms of actually uploading new songs. Until now!


This is a remake of the first movement of Tennessee. Tennessee is also known as the Volunteer State because of the people who volunteered to join the military, such as in the Tennessee Army, which fought the Battle of Stones River in 1862-1863 during the Civil War. So I went with that for the title. Also there are definitely some river type elements sprinkled throughout the piece and the whole thing kinda feels like a battle IMO.


Alright, so to be honest this one mostly speaks for itself. It starts with a slower intro to ease you into the mood this piece is going for and then operates like a hand bell concerto for the rest of it. There's a new sound I haven't used yet!


This piece is one I've been working on since before Presage. I honestly think I started this shortly after Zenith, which is fast approaching a year old (wtf); I just hit a roadblock and lacked inspiration for a really long time until about a week ago when I finally got this thing close to finished.


General update, I mentioned on Bluesky that I bought the audio imperia choir sounds just a few days ago. I'm hoping that I can redo Remembrance and make it, yknow, actually good. The original piece that one is based off of is the magnum opus of that friend whose pieces I keep remixing lmao, so I need to do it justice.


Enjoy! And be on the lookout cause Ostinato remake and missouri 6 are coming next.


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My goodness, where to start with this one? I love it so much. You can easily hear the classical influences, especially at 0:43. Let's just take a second to talk about this. Absolutely masterclass I love it so much. Don't be surprised if you see me attempt something similar in the future. Whatever strings you used here sound amazing :)

It's been a hot minute since I've heard Tennessee and I really love what you did with it. It went from funny trumpet shenanigans into a beautifully orchestrated masterpiece. I genuinely love how much you use the woodwinds. Personally, they're the most slept-on family right before unpitched perc.

You're unnaturally skilled at making music to fit wars. The beginning of this piece matches the tone I would expect for a track about the Civil War. The beautiful violins and strings at the beginning add so much flavour.

10/10 for using the lower register of the celesta so effectively. The celesta usually sounds like such a playful instrument but the lower register has a completely different feel. It still retains the characteristics but without as much brightness to its timbre.

Going back to 00:43 - 00:53, MMMMMMMMMMMMMMMMMMMM that is so good I struggle to express it. I go back and listen to the original Tennessee and I can barely believe it's the same person who made them both. How much you've improved is quite insane. I love how much orchestral music you're making, but I wonder how you'd sound if you tried a trance track again using all that you've learnt.

At 1:20, the pizz strings sound so crisp I love it. It's so sharp and quiet; a perfect contrast to the flutes which are the complete opposite. The build-up to the final climax is done very well. It's a shame the ending is done so quickly. I feel like you could have done more with it. It sounds like it was cut in half and we hear the second half. It's got so much punch and power yet not enough time to really make use of it. However, the very end is a lovely touch. I always love big dramatic endings.

Criminal that this wasn't frontpaged. It has so much charm to it.

50Steaks responds:

Glad to see your extended review! I didn’t compose the ending the same way I do most of my pieces. I made the ending WAY before I made the buildup and thus the transition into it probably didn’t feel super natural. Also with these two most recent pieces I’ve been experimenting with dead silence more as a tool for emphasis and this was my first attempt at it. I think cirrus did a significantly better job at using it though. I guess they can’t frontpage everything lol.

Been thinking about a possible return to trance. But I’m worried that it’ll sound the same as before because I’m in a completely different software now. Orchestration rules and such just don’t apply at all in fl and that’s scary. Unless I somehow blended these instruments with synths and somehow like exported a mp3 file or something. But that sounds really challenging tbh and a little impractical since I can’t mix exactly the way I want.

Side note, by celesta do you mean hand bells or glockenspiel? I didn’t use that in this piece, only presage. I assume you mean hand bells cause I do use the lower register. It makes more sense when you think about this piece as a hand bell concerto.

I’m surprised you have so much to say about 0:43 and not the part immediately following, which is my favorite part of the piece obviously.

Before uploading I made a few dynamic modifications to the intro and to the first chorus because the ending was just so much louder and I didn’t like that. Ultimately I think that was a mistake. The solo violin projects above everything wayyyy too much but I just wanted to get this out so I could move on to wrapping up cirrus, which is just so much more experimental and also got the FP. But I’m glad to see you enjoyed this one nonetheless! This will NOT be the last time I step into remaking old states.

Very nice to hear from you :)
Inspiration comes and goes, sometimes taking a break helps refueling and come back stronger.
For sure you didn't disappoint with this piece! Very enjoyable, nice melodies and accompaniments, contrast elements, well balanced, overall sounds very well!! Listened to it twice in a row ^^
I hope you manage to keep this flame of inspiration lit and come up with other beautiful tracks sooner than later :D
Very good job!!!

50Steaks responds:

Be careful what you wish for! I’d say all the other upcoming pieces are either of the same quality as this or better. And they’re all essentially completed except maybe Missouri 6. I’ve already created the project for the prelude to the afternoon of a faun remake. I just can’t think of a name. So in short expect many releases in the coming days.

Thinking of releasing these in quick succession this week and calling it an album. Not sure how that would work cause I’ve never really done any sort of album before but this could be a nice start.

Thanks for the positive feedback as always!

Lovely use of orchestral elements, all of the sound fonts are very realistic! I also think you nailed it with the dynamics of this one, the range in the volume of the song really makes those climaxes impactful. Great work, 50Steaks!

50Steaks responds:

The beginning is actually just the solo string soundfonts! Hopefully they sound decent lol. I actually had to increase the volume of the intro just to keep it semi balanced. Added percussion to the first chorus to make it stand out less when it came in later. Just overall things to make the piece flow better. Thanks for listening and enjoying!

Credits & Info

Listens
101
Downloads
1
Votes
5
Score
4.74 / 5.00

Uploaded
Mar 23, 2025
1:38 PM EDT
Genre
Classical
File Info
Song
3.6 MB
3 min 9 sec
Software
  • MuseScore 4

Licensing Terms

You may only use this piece for commercial purposes if your work is a web-based game or animation, otherwise you must make specific arrangements with the artist.