Cool. Reminds me of Dream Theater

Bad ass!!!

The first thing I thought of was Mars Volta.. This is an excellent track here.

NGADM Final and stuff.

Put out a crazy awesome tune, won the NGADM, gave me an eargasm.
Really, I'm running out of ways to say I think your stuff is awesome. As before, the riffing was awesome, the progish sound was very well done and kept things very interesting, the vocals (harmonies and all) were spot on and had a unique "Kor-Rune feel" to them. Just awesome all around.

The only complaints I have are every so often throughout the song, I noticed there was kind of a static or white noise in the mix... I'm not sure if that was intentional or not, but it confused me as to why it was there, felt very out of place... or maybe I'm going crazy or my speakers are starting to die... I dunno...
That and the chug felt extremely similar throughout the entire song, for the most part it held the same general rhythm all throughout, which felt a little repetitive after a while.

That aside, awesome work, flowed between numerous moods, kept things very interesting, and as mentioned above, overall... gave me an eargasm. 8.5/10.

Congratz champ.

This is your NGADM Round 5 Review.

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SO, you won the competition! Congrats AGAIN for claiming first place! I've got to say that I'm really glad you found out about the NGADM. Otherwise I wouldn't have ever listened to AWESOME MUSIC like this.

You know this is a pretty noticeable change in style from what you usually make. I mean I can still tell this is yours, especially in the style of singing (and the actual voice of course) but this feels a lot more rhythmic and structured than your previous works. It's totally not scatterbrained at all which was a really nice change. I actually think your structure is pretty damn awesome, and I especially love your progression to bits. You really managed to make everything flow well and your transitions are also fantastic.

Moreover, I'm hearing some lovely details. The subtle snare roll at 0:53, the orgasmic little melodic embellishment at 1:00, the new layer of rhythm guitar that plays at 1:27, the AMAZING descending scale at 1:39 (seriously that little detail makes me smile every time), the organ in the background at 1:54, the hissing at 2:38... I can honestly go on and on. Lovely brass solos too. Kudos to camoshark for that.

This is also has some of the best singing from all of the songs I've heard from you so far. I love how your vocal line fits so well with the song. Truth be told, sometimes the vocals in your previous songs (with the exception of Don't We All) sounded a bit tacked on at times, as if you first made the song and then tried to fit in the vocals wherever you can, but here you seem to have integrated them a lot better. I love the parts where you've got the words timed with those heavy guitar strums and drum hits such as at 0:07. It fit very well and really made the track enjoyable. Lyrics are awesome too, and it's cool that you talked about Venus. Venus is pretty underrated, since Mercury's closest to the Sun so most people think Mercury is the hottest planet in our solar system, when in reality Venus is, thanks to the greenhouse effect. BUT I DIGRESS.

Your mixing... man. Amazing. Sounds a little heavier and bassier than what you usually make but still, wow. The guitars especially sound exceptional. My only complaint mixing-wise is that the vocals in the intro at the very beginning blare out a bit too much. Usually I wouldn't complain about something like that but since it's the start of a song, the vocals do come in as a bit of an unpleasant surprise. I do like your new approach for an intro though, and I love how it starts with just vocals and then the drums and guitar kick in. Nice idea. Ending's pretty awesome too. I would've let the last note ring for another five seconds or so, slowly fading out, but that's just me.

The reason I gave this a 9 rather than a 10 is that this feels a lot less like the revolutionary jazz/metal fusion music you've made in previous rounds and becoming a bit more standardised. Sure, it's still revolutionary and has great composition as usual... but it just doesn't have the great atmospheres Omniwitch presents, the amazing diversity of Child of the Trough, and the interesting approaches of Chemicals.

The consequence of this is that it just isn't all that interesting throughout. You might've tried too hard to avoid making it scatterbrained and all-over-the-place since now you can almost say it's gone to the other extreme. The guitar rhythms supported by punchy drums and stretched-out vocal notes got pretty old eventually, and while this features awesome brass solos and guitar riffs (and a very welcomed reintroduction of the main theme at 4:45 with new melodic layers and an awesome melodic change at 5:06), it just doesn't feel like it does 7 minutes justice. The only real break was towards the end. You've got to find a balance between making it structured and making sense (which you nailed) and keeping it diverse and interesting...

Still, I'm honestly just nitpicking here. This is wonderful and I have yet to hear something from you that changes my opinion of you being one of the best artists on Newgrounds. Great work!

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9/10