Nice to see a normal chord progression, some structure that doesn't repeat same 4 chords, some development. At 00:10 I would go with a different chord; e, g#, b, d is a E7 which clashes with that c# in the melody, instead I would go with same chord f#, a, c#, move the bass to e (so it would be a F#min/E or F#min7 with the 7th in the bass as a transition note to D maj, next chord). This way you would have a common note in the melody and chord, create a feeling of stability by having same chord and creating a tension with the 7th, just enough to propel you to the next chord.
Anyway, love the 80s, early 90s feel.