Thanks. The title means "Everything vanishes into nothingness" (Or at least that's what it's supposed to mean. I used to have Latin in high school, but I was never very good at it). The lyrics in the song mean nothing unfortunately. I made the vocals in VOXOS 2, because you can create phrases with it, but when I began to write lyrics I soon found out I couldn't make any of the words I had in mind, with the limited number of syllables I could choose from. So I gave up and used whatever syllables sounded good musically. It's just gibberish that sounds like Latin.

Thank you for the review. Glad you liked the song. I'll see what I can do about the mix.

That's a good tutorial. I've watched many tutorials like that, and I've been using my reverb settings quite like that for some time now. For this song however I've used mostly the actual reverbs recorded within the samples, because I really like the ambience of the room the instruments are recorded in, and nothing sounds as realistic as real life reverb. The placing in the room was determined mostly by the person who recorded it, but you can adjust the volumes of each individual mic manually. I kept the placing in the room mostly the same as they were when they were recorded, but sometimes I switched the left and right output if I wanted to have an instrument on the opposite side and I've done some (mostly minor) panning myself. To enhance manual room placing adjustments, and as an artistic choice, I've added a bit of digital reverb for what they in your video refer to as "early reflections". I've used the TSAR-1 by Softube with very subtle "dark" settings. The woodwinds are placed behind the violas, but in front of the brass ensemble, so they have more early reflections than the strings, but less than the brass (also less than the double bases which are behind the celli).

Thanks! You never know who makes it to the next round. I didn't expect to make it, but it would've been nice. Got an okay score though. Better luck next year yeah.

Good luck to you in the finals!