At 4/29/23 06:58 PM, picolocity366 wrote:At 4/29/23 06:38 PM, wonkypaws wrote:At 4/29/23 05:15 PM, Shadud wrote:I've given this thread an awful lot of thought, but I've realized I don't really know what you're talking about. I'd need a very specific example of a critique you had a problem with in order to adequately weigh in. It sounds to me that we're not talking about critique at all, which is a very specific process with a certain decorum to it, but rather people just offering polite feedback.
i second this,,, personally i have a hard time understanding stuff even if it’s simple, so maybe that might be a part of it, but im not entirely sure what you mean here
I can't really state any specific examples, but the nitty griddy is basically that many people don't give their true thoughts or critiques on pieces more "amateurish" (I'm using this term very loosely here so stay with me) in fear that they'll hurt the feelings of the artist who made it. I've been there many times myself whether with with friends or mutuals I won't name here, but it's a real thing that I don't see talked about often.
I thought I replied, guess I closed the window instead :^)
Yeah, it sounds like we're not really talking about critique. It sounds more like what your real complaint is, is that critique is not happening when you feel it should. So, I'm going to direct you to Liz Lerman's "Critical Response Process", don't gotta buy the book, just poke around online and you'll get a really good idea as to what this process she writes about actually is.
It's an extremely solid way to make sure that the critique is:
- Consensual
- Objective
- Policed
- Effective
Now there's no ambiguity as to whether or not it's a critique and whether or not people actually want to engage.
Her process is geared toward the fine art world, but it works all the same in a less formal scenario. A big problem online I notice is that when people offer criticism oftentimes it's not actually a critique. It's filled with opinions that lack objectivity, sometimes it's entirely worthless and almost always poorly constructed. In most instances, it's also unsolicited.
Artists have to learn how to disregard invalid critiques, too, you do that by understanding what a critique actually is.
Offering critique is a skill in itself, and many artists are still fermenting their knowledge so it's not always easy to translate what they have learned to do in their own work into language they can use to help others improve their own skills. That's why things like the critical response process exist.
If they're having a hard time critiquing a junior artist then it's either they don't want to critique at all, which is valid, or they're still developing the ability to critique.
PS: I rearranged my list cuz I realized the letters can spell COPE tee hee.